Albedo 0.39 (album)

Albedo 0.39 is an album by the artist Vangelis, released in 1976. It is a concept album around space and space physics. Albedo 0.39 was the second album produced by Vangelis in Nemo Studios, London, which was to be his creative base until the late 1980s. It contrasts with his previous album, Heaven and Hell, which is classically inspired and choral, while Albedo 0.39 has blues and jazz overtones.

Contents

1 Instruments 2 Tracks 3 Individual tracks 4 Sources

Instruments

Vangelis plays all instruments. Although it is uncertain which synthesizers Vangelis employs on this album, other instruments include accoustic drums, percussion, a xylophone, a gamelan (track 2) and recordings of the speaking clock (courtesy of Post Office communications) and the Apollo moon landing ("courtesy of NASA"). It appears Vangelis alternates synthesizer and accoustic basses on different tracks.

The only vocal is the narrative on the title track, which is uncredited. It was later revealed to be the voice of Vangelis' sound engineer Keith Spencer-Allen.

Tracks

Tracks:

1. Pulstar (5:45)
2. Freefall (2:20)
3. Mare tranquilitatis (1:45)
4. Main sequence (8:15)
5. Sword of Orion (2:05)
6. Alpha (5:45)
7. Nucleogenesis (part one) (6:15)
8. Nucleogenesis (part two) (5:50)
9. Albedo 0.39

Individual tracks

Pulstar (supposedly a contraction of pulsar and star) was to be the most popular track, building on a synthesizer pulse sequence, a trumpet main line and various other synthesizer brass lines. It ends with a recording of the speaking clock.

Freefall builds on a gamelan sequence, two flutes and a synthesizer line.

Mare tranquilitatis (the biggest "sea" of the moon) is a quiet synthesizer piece featuring recordings of the Apollo moon landing. Samples of this track can be heard on Enigma's "Cross of Changes" (uncredited).

Main sequence is propelled by a pulsed synthesizer sequence, along which a trumpet- and drums-based jazz track develops. It calms down and flows into—

Sword of Orion, built on an arpeggio chord, trumpet melody, and percussion.

On Alpha, Vangelis employs a composing technique he would use extenstively on later albums (e.g. Direct): a simple theme of a few bars is developed through increasingly complex instrumentation. Instruments include a slow synthesizer arpeggio, synthesizer mallet melody line, xylophone, percussion and (later) accoustic drums. It is a rather upbeat piece.

The Nucleogenesis suite conveys a somewhat darker mood, employing a church organ, an organ synthesizer pulse, various lines of Vangelis' patent synthesizer brass, accoustic drums and basses. Although hard to classify, the pieces appear to hold a ground between classical, blues and hard rock.

Albedo 0.39 is an athmospheric track building on waxing and waning synthesizer chords and arpeggios, while a voice with a British accent narrates various physical properties of the Earth, such as its mass, length of the year in various measurements, and, finally, its albedo (amount of light reflected back into space).

Excerpts from Pulstar and Alpha can be heard on episodes of Carl Sagan's documentary series Cosmos, along with several other Vangelis themes.

Sources

• Album sleeve
• "Inside the Synth lab" interview with Keith Spencer-Allen
• Samples